The King of Sunday Morning is a geezer. Not in the traditional sense of the word as in old man. This geezer is a face, a wannabe, a top notch bloke. He is the greatest DJ that never was. He should have been. Could have been. Would have been. Now becoming a has-been.
Tray McCarthy was born into privilege but with the genetic coding of London’s violent East End. Having broken the underworld’s sacred honour code, it is only his family’s gangland connections that save him. But in return for his life, he must deny that which he has ever known or ever will be and runs to Australia where he is forced to live an inconsequential life.
But trouble never strays far from Tray McCarthy and eventually his past and present collide to put everyone he has ever loved in danger. He must now make a stand and fight against those that are set to destroy him and play their game according to his rules.
Set against the subterfuge and violence of the international drugs trade, The King of Sunday Morning is the tale of what can go wrong when you make bad decisions. Tray McCarthy has made some of the worst. He must now save those he holds dear but in the process gets trapped deeper and deeper into a world where he doesn’t belong.
“I want three pump-action shotguns, about twelve sticks of dynamite and a blowtorch”
THIS BOOK CONTAINS EXPLICIT LANGUAGE, FREQUENT DRUG USE AND SEX SCENES - NOT RECOMMENDED FOR PEOPLE UNDER 18 YEARS OF AGE
Excerpt -
Top of The Pops
1989
How long ago did
he take it? He knew it depended on weight and metabolism but he didn’t know for
sure. It wasn’t an exact science. He had always banged the scotch down and
smoked a lot of hash but this was different. This was the real deal. He’d heard
it on the grapevine. These new pills from New York and Amsterdam were changing
the social fabric of London. It used to be beer and punch-ups and now it was
pills and loved-up. Arrests for unsocial behaviour were down and more importantly,
the establishment was scared. It had been justly challenged with punk and then
the gay abandonment and sexual ambiguity of Boy George et al nearly tore the
nation asunder. But ironically Boy George then turned into every grandmothers’
favourite bingo partner and the urban landscape returned to its safe, apathetic
roots and bland normality.
Then the people
of the night tipped the world on its end. Space cadet record execs were
bringing these pills back from New York. These little portents of love were
apparently amazing. They took you elsewhere, gave you love in abundance and
made the girls love you back. The summer of love, Woodstock itself, was being
re-invented right in front of everyone’s eyes. The Sun and The Daily Mirror
revealed the shocking threat to the nation and he believed the propaganda until
his cousin told him to stop being daft.
He was nineteen
and it was about time that he jumped onto the hedonistic bandwagon. He had
missed out on punk and ska. There was hardly any rebellion in the 80’s. It was
make-up and silly love songs. What had started out with the Sex Pistols and The
Clash dived headlong into the rapture of Spandau Ballet and Duran Duran. There
was no class struggle. Greed was good according to Margaret Thatcher and
Reaganomics ruled the roost. Live now pay later. Ostentatious displays of
wealth, cocktails and the word ‘yuppie’ were the order of the day. And guess
what? The young had just about had enough.
The
corporatisation of the weekend. The theme pub. The Saturday night super club. Big
burly bouncers telling you, ‘Wrong shoes mate’, or ‘Wrong shirt’, even, ‘Sorry
mate, just don’t fit the image’. Enough was enough!
Free parties
were on the rise. Dance music was exploding. Warehouses were being taken over
by huge sound systems and the kids and the drugs were everywhere. It was 1989
and the great British party massive had started.
They were in
Slough, West of London. Slough was one of those peculiar afterthoughts of
British planning. Pronounced ‘slau’, its name sounded ugly and its streets were
much the same. A post Second World War new town. Pebble-dashed terraced houses
built cheaply, without imagination and without soul. The only reason you went
to Slough was because it was on the way to somewhere else. The English
equivalent of Belgium.
It was one of
the biggest holes he had ever been to but tonight it was his paradise. It was
his conversion on the road to Damascus. For tonight he would experience the
roller coaster ride that was MDMA and witness the world’s best on the wheels of
steel. A warehouse. A laser. A bass bin. Tonight he would turn away from the
beer soaked ravages of a football bender and become enveloped in the rush and
the beautiful shiver of the white dove. Tonight he would be Top of The Pops.
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